I. The Energy Line

The Energy Line of the Integral Painting is based on energetic processes that shape our three-dimensional space. Such space can give rise to nine types of energy. In painting, they are represented as fluid forms of various kinds.

For a clearer, or one could say, more tactile understanding of this concept, these processes can be addressed according to the states of water. The evidence from observations of space fluidity suggests that, in fact, it is the Celts who can be credited as founders of the Integral Painting style. “The Book of Celts” was written on the basis of their practical experience and methods.

The three states of liquid can be viewed as manifestation of three types of efforts in various liquid forms:

• liquid per se that in this case represents space;
• crystal essence, which is the correlation between energy fluidity and certain types of crystals;
• the actual process of transmutation that qualifies it as an energetic process.

The objective of painting is to convey the energy essence of its subject matter, i.e. the transmutation that can be provided by a specific kind of energy.