III. Crystal Painting

Crystal Painting is the most ancient way of fixating space that crystallized into a system of knowledge in the ancient Egypt. It involves fixating resonant signs of space that could be perceived by ancient people and those of us today who can attune to the highest forms of life in space.

The highest forms of life in space are, in fact, a resonance form propelled by the necessity of the highest possible integration of three or more types of energy, which produces a more powerful energy that doesn’t fall apart, but crystallizes. On the outside, it might look like a jumble of strange lines and symbols, but, in fact, they carry vital information in the form of vibration. To fathom it, we should be clear about what angle and ruler we use, but either way, there is a law that governs all that happens there.

It is not a chaotic coordinate system, but a necessary condition for reaching resonance. There are thirteen such conditions, each of them determined by different angles of space tension that underlies our dimension. An ability to attune to these resonant patterns and especially to draw them to our space fosters the possibility of transmitting very powerful energy currents to all people. The codes for this currents are found in our universe.

This is how ancient people used to capture lines and symbols as they created, among other things, pictograms that later developed into a written language. So when today we talk about primitivity of ancient people with regard to their methods of recording their own history, we display, above all else, our own inability to live in authentic attunements where the energy formation is quite different from what we are familiar with.

Nowadays few people have such vibrational characteristics that allow them to enter into resonance with the energy body of the microcosm. There are perhaps only two such persons among our contemporaries: Falco and Elena Vrublevskaya. Both of them are authentic representatives of Integral Painting since they are skillful in both the Energy Line (the Energy Line) and the Crystal Line.

The Crystal Line is rooted in the knowledge and understanding of crystals, their degrees of tension, their carat values, as well as their ability to enter into specific resonance with space, or a man. The Crystal line is, in fact, a formula that activates tension typical for this or that crystal group.

These are high-vibrational, high-order fields with a specific impact scale. The knowledge of 13 matrical crystals that determine the process of crystallization on our planet lies at the basis of this approach. In a three-dimensional reality there can be 13 high-order groups of resonance, from the most basic one that features, for example, pearl, to the highest one represented by diamonds. These laws determine the ideal shape of angles that describes the spatial crystal efforts. This information is used to create crystal signs, i.e. spirals that gravitate towards the weaker vibrational fields much like aroma.

There is no need to add anything to crystal painting, for it aims to keep the vibration of the angle tension intact and to imprint this resonance onto canvas. That’s why the original paintings are of really great value, unlike their copies that significantly diminish the impact and power of such paintings. It is impossible to put a price tag on these paintings because their power and potential are incomparable to any other painting style. It is the highest form of delivery, or, in fact, energy materialization.

This style of painting doesn’t make use of such notions as inspiration, an urge to paint, or lack of it. It relies only on the artist’s ability to tune into space resonance and reproduce its symbols. What’s more, the artist needn’t even understand them as it makes him or her more of an alchemist, which is something we see when we look at Falco’s creative endeavours.

It should be noted that the art of calligraphy is the very same knowledge of resonance, only in calligraphy it is conveyed using, by and large, a linear two-dimensional coordinate system.

Therefore, the emergence of this painting style (or if you refer, its restoration) is a truly important phenomenon unfolding in our space because the resonances of the higher order are now beginning to descend on Earth via such people, much like they did in ancient times.