Integral Painting

Integral painting is a style that goes back in time to Ancient Egypt where a secret code of interacting with space was conceived and designed. Over time, it became simplified into a way of understanding we call “alphabet”. Nowadays this code in its more or less original form is found only rarely, for example, in Navajo culture. In effect, those people pursued a new direction and developed a three-dimensional space vision that has been subconsciously preserved only in the hieroglyphic texts.

Integral painting is a way of rendering ‘space codes’, and a contemporary integral artist Elena Vrublevskaya does just that – she restores and channels them. In fact, she is restoring the age-old style of interacting with space that allowed ancient people to exist at the higher frequencies while sustaining the effort of constructive tension and experience.

Today we can talk about the establishment of a new style (as well as restoration of the well-forgotten old one) – an integration into space that is currently viewed along the lines of of painting.

The Crystal Style in Integral Painting

It is the highest level of comprehension of the secret code, and as such it’s linked with the constructive tension that a man gets to know while interacting with space. These tensions are far from chaotic – they are shaped through the effort of measurement in which we live because our world is three-dimensional and spirally stable.

Therefore, the spiral determines how many efforts are necessary to complete one turn. Altogether there are twelve turns. Each effort equals twelve degrees, which means that the matrical division of the crystal painting also equals twelve. Subsequently, it can vary depending on how the matrix is used.

The Energy Style in the Crystal Painting

This style is represented by creative output of esoteric movements that have access to the higher intelligence. Nowadays it manifests as channeling where specific attunements are performed on the basis of available types of energy.

Actually, this is a description and life of one matrical crystalline cell that is governed by the law of nine transmutations. It means that any crystal, even of the highest quality, still fits in a perfect spatial figure known as a sphere. It is the sphere that determines the particular container of energetic load it can express.

A perfect sphere can contain up to nine perfect spatial figures. This is an example of fractionality according to a certain type of energy. This same fractionality is concealed in the idea of ‘liquid’ and all that’s related to it. Man is also, quite explicitly, a product of fractitonality. Therefore, there are nine styles in integral energetic liquid, and each one accounts for affecting a certain type of tension.

The Garden of Eden Style

This very important style of painting is all about its own breathing or, if you prefer, aroma. Integral painting is three-dimensional, and aroma is the only thing we can measure in space three-dimensionally. One could say that this style of painting passes through the prism of aroma formation, or breathing, with the world tree, or, in fact, any tree being its foundation. That’s what Celts did when they described space.

Thus here we are already dealing with the size of a measure, or a spiral, that cannot have more than seven turns. This is the algorithm of our space spinout. It has to do with temporal characteristics of our vibration that correspond with seven types of experience where the top one is a state of bliss, or paradise. That’s why this style of integral painting can be described as the Garden of Eden style.

The Temple Style in the Integral Painting

This style is defined by the laws of five perfect geometrical figures. It allows us to undertake construction instead of just representing this or that style through attunements.

Embracing the temple style of integral painting is what, in fact, shapes the master. It also clarifies why he or she should pursue this direction. It is the path of perfection that leads us to knowledge about the temple construction, architecture and, generally, all that has predetermined man’s attitude to space, its improvement, or salvation.

Unique Integral Painting

Unique integral painting is a way of perfecting one’s attunement. The key element here is an attunement to work and to steering clear of any distraction. It is an alchemical aspect that is linked, to some degree, not to knowledge as such, but to the process in a sense that the process of creation is more important than its result.